There are no articles that matched your search criteria.
One of the paintings Barker was pleasantly surprised to find in the museum’s collection is a self-portrait by the Romanian surrealist Victor Brauner. Dating from 1923, the painting reflects the period immediately before the artist moved fully into surrealism as a means of representation. “It is a remarkable portrait,” explains Barker, “because it is the last time he paints himself with both eyes.” In his subsequent work, that is, the artist always paints himself with one eye missing—whether there is a gaping wound, an automaton of some kind, or his eyes placed on his hands. In 1938, Brauner was in a bar fight, during which his eye was poked out—the very eye he had been painting himself without for a decade and a half. Barker says, “Surrealism holds it up as an example of sort of a premonitory knowledge that this was going to happen, proof that time is not linear to the unconscious mind.”