Leong has noticed a heightened interest in Chinese calligraphy in the Western world, and his work is now sought out for exhibitions and commissions as well as collected by many museums. He believes that this increased attention derives from the unique visual experience that calligraphy provides: “The viewer becomes involved while looking at the piece as if he/she is watching the brush dance across the stage—its movements, its rhythm… [like] viewing a dance performance and a painting at the same time.”